Creativity & Cognition 2005

KEYNOTE SPEECHES

FULL PAPERS

1. CREATIVE COGNITION AND TECHNOLOGY TRANSFER TO PRACTICE

Supporting Reflective Practice in Creativity Education: Norio ISHII and Kazuhisa MIWA
Amplifying Reflective Thinking in Musical Performance: Andrew Johnston, Shigeki Amitani and Ernest Edmonds
Causality in Virtual Reality Art: Marc Cavazza, Jean-Luc Lugrin, Sean Crooks, Alok Nandi and Mark Palmer
Gesture and Response in Field-Based Performance: Sha Xin-Wei, Satinder Gill
The Amateur Creator: Stephen Boyd Davis and Magnus Moar
The Homespun Museum: Computers, Fabrication, and the Design of Personalized Exhibits: M. Eisenberg, N. Elumeze, L. Buechley, G. Blauvelt, S. Hendrix, and A. Eisenberg
Distances and Diversity: Sources for Social Creativity: Gerhard Fischer
Developing Character Personas and Scenarios: Vital Steps in Theatrical Performance and Goal-Directed HCI Design: Lori Shyba and James Tam
Understanding Design as a Social Creative Process: Andy Warr and Eamonn O'Neill
Computational Schemes for Biomimetic Sculpture: Brower Hatcher, Karl Aspelund, Frederic Leymarie, Andrew Willis, Jasper Speicher, David B. Cooper
Digital Cultural Communication: Designing Co-creative New Media Environments: Jerry Watkins and Angelina Russo
From Function to Context to Form: Precedents and Focus Shifts in the Form Creation Process: John Restrepo and Henri Christiaans

2. CREATIVE WORKS, REFLECTIVE PRACTICE AND PRACTICE-BASED RESEARCH

Sponge: A Case Study in Practice-based Collaborative Art Research: Christopher Salter and Sha Xin Wei
Gridjam: Jack Ox
Memory Rich Clothing: Second Skins that Communicate Physical Memory: Joanna Berzowska
Losers and Finders: Indexing Audio-visual Media: Mike Leggett
Constituting, Traversing and Perforating Boundaries: Embodied Interaction in Immersive Virtual Spaces: Petra Gemeinboeck
New Media Architecture, or, Is it Art and Does it Matter?: Usman Haque
Reflections on Critical Interaction Design Methodologies and Interdisciplinary Team Development for the Constructed Narratives Project: Pamela Jennings

3. RETROSPECTIVES IN CREATIVE PRACTICE AND RESEARCH

The CACHe Project: Its Work and Outcomes: Nicholas Lambert
The Summer 1968 in London and Zagreb: Starting or End Point for Computer Art?: Christoph Kltsch
Reflections on Gordon Pasks Adaptive Teaching Concepts and their Relevance to Modern Knowledge Systems: George Mallen
The Development of a Cybernetic Sculptor: Edward Ihnatowicz and The Senster: Aleksandar Zivanovic
A Strange Dance: The Creative Collaborative Origins & Processes of 9 Evenings: Theatre & Engineering: Robin Oppenheimer
The Tools of Online Community the first five years of the trAce Online Writing Centre: Sue Thomas
Computer Art. A Recollection: Frieder Nake
A Cultural Systems Theory of Collaboration in Art & Technology: Stephen Jones

POSTERS AND DEMONSTRATIONS

PathScape: Indexing Audio-Visual Digital Media: Mike Leggett
Musical Form and Algorithmic Solutions: Peter Copley and Andrew Gartland-Jones
Knowledge Nebula Crystallizer for Time-based Information: Shigeki Amitani, Ernest Edmonds
Computational Aesthetics as a Tool for Creativity: Gary R. Greenfield
Design for Design: Support for Creative Practice in Computer-supported Collaborative Work in Design: Phebe Mann
GoingPublik: Testing System Design Outside the Ivory Tower: Arthur Clay, Thomas Frey, Jürg Gutknecht
Drawing in three dimensions a paradigm shift: Stuart Mealing
Social Networks for Creative Collaboration: Tracy Cohen, Ben Clemens
Wearable Body Organs: Critical Cognition Becomes (Again) Somatic: Kelly Dobson
Constructed Narratives: Context Aware Tangible Social Interfaces: Pamela Jennings
Tech-tiles: Exploring Texture: Tim Blackwell, Janis Jefferies
Generating Pen-Plotter Drawings from Selective Point Sets of Digital Photographs: Hans Dehlinger
Timeline of a Drawing Research Methodology 1983 - 2004: Peter Steel
Twining: A Demonstration in Wearable Computing: Barbara Layne and Yacov Sharir

EXHIBITION

Kyoto to Sheffield: Ernest Edmonds and Mark Fell
Streaming Video: An Experiment in New Aesthetics: Jim Bizzocchi
Invisible Sculpture #1/The Architects House: Lorraine Oades
The Sleepless Night/ Une Nuit Blanche: Derek Michael Besant
A Theory of Error: Kellyann Geurts
Digital Crustaceans: Homesteading on the World Wide Web: Ingrid Bachmann
Burning Sappho's Books: Alexandra Haeseker
Art, Digitality and Consciousness: Guy Birkin
Computational Schemes for Biomimetic Sculpture: Brower Hatcher, Karl Aspelund, Frederic Leymarie, Andrew Willis
Society of Neurons: Warren Neidich and Robert Zimmer
Work in Process- Artists' Collaboration in Fashion and Textiles: Sandy Black, Morris Baker
Variations: An Interactive Musical Sculpture: Bruce Wands

PANEL

Creating Histories: Paul Brown, Chair Panelists: Maggie Boden, Phil Husbands, Catherine Mason, Alan Sutcliffe

TUTORIAL

Cognitive Factors in Design: Basic Human Memory and Problem Solving.: Thomas T. Hewett

WORKSHOP

Freedom and Constraint in the Creative Process: An AHRB Invited Workshop: John Haworth and Sue Gollifer, James Faure-Walker, Paul Coldwell, Tom Kemp, Jon Pengelly